{"id":395,"date":"2021-05-20T16:42:00","date_gmt":"2021-05-20T20:42:00","guid":{"rendered":"https:\/\/mentesextremofilas.com\/?p=395"},"modified":"2022-08-26T22:59:21","modified_gmt":"2022-08-27T02:59:21","slug":"desclasificacion-i-caso-del-futuro-raptado-por-el-sol","status":"publish","type":"post","link":"https:\/\/mentesextremofilas.com\/en\/expedientes-extremofilos\/desclasificacion-i-caso-del-futuro-raptado-por-el-sol","title":{"rendered":"Declassification I: Case of the Future Abducted by the Sun"},"content":{"rendered":"\n
\n<\/div><\/div>\n\n\n\n
<\/p>\n\n\n\n

Text: Odilius Vlak \/ Artwork: Eddaviel<\/p>\n\n\n\n

Place and Date: Santo Domingo, DR\/ 6. 14. 2016.<\/p>\n\n\n\n

What Happened: A Paradimensional Phenomenon in the National Library.<\/p>\n\n\n\n

Briefing of the Case:  An outburst of sudden madness of the equation E = mc2 <\/sup>caused by the publication of a science fiction and fantasy anthology.<\/em><\/p>\n\n\n\n

Results: Collapse of the frame holding together Mass\/Energy and Time\/Space, matched with an unhealthy fusion between an aspect of the linear time [the future], and a fragment of the universe’s total mass [the Sun: a yellow dwarf G2V type star at the center of the Solar System].<\/p>\n\n\n\n

Here the facts.<\/p>\n\n\n\n

  Just about the moment of the event inauguration, the reality crumbled down; atomized in thousands of virtual space time fragments emulating the would be publish book’s cover: Futures on the Same Path of the Sun.<\/p>\n\n\n\n

  But it wasn’t a hologram, but: \u00abA dimensional gate!,\u00bb exclaimed Eddaviel, the illustrator.

  The Sun augmented its plasma to a Hell 666 level. The first casualty was the factory, that kind of straw in its eye. Next, it centrifuged the apocalypse burning out the word \u00abFutures\u00bb from the title.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

  \u00abIts real purpose is to incinerate our real future,\u00bb deduced Eddaviel. \u00abHurry, let’s jump into the portal before it gets close.\u00bb<\/p>\n\n\n\n

  He landed just on top of the central planetoid: the ancient Square Flag \u2014supported by the axis of that technological wonder made in the Caribbean. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

  His boldness was imitated by the seven writers anthologized \u2014frozen till that moment by a reality crazier than all their fictions.<\/p>\n\n\n\n

  Odilius Vlak was the first who followed the order. He jumped right after his accomplice in the crime of imagine, proud to be the victims of their own fantasies. Then went Morgan Vicconius Zariah, Markus E. Goth, Peter Dom\u00ednguez, Rodolfo B\u00e1ez, Manuel Antonio Gonz\u00e1les Cabrera, and Mois\u00e9s Santana Castro.<\/p>\n\n\n\n

  Isael P\u00e9rez, editor and high priest, stayed behind in his SANTUARY, in order to invoke allied forces.<\/p>\n\n\n\n

  Once all of them were inside the cover’s dimension, they saw disappear, from within the crystal dome, the rock crowned with the last symbol of the past human cycle: The Statue of Liberty’s torch. Only the isolated planetoid of Quisqueya withstood the external solar blaze. Safeguarded by the primordial Tainos gods, the African orishas and, of course: by the Catholic cross.  <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

  \u00abI got it! It’s not a drawn sun but a written one; your imagination created it, not mine.\u00bb<\/p>\n\n\n\n

  Everyone turned toward Eddaviel. Or was it him? Seated on a log was the anthropomorphic version of his logo: Eggoviel. Flatten head, the ink of his hair cutting a half moon face, big eyes, no nose and a thin stroke shaping his mouth; a superhero cape with a medieval touch; tight clothes including mummy like banded forearms; a couple shamanic collars; that damned sword with a Final Fantasy like blade and a hilt akin to an African wizard’s staff, specially by the skull that jointed it to the metal. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

  \u00abA homicidal sun!!! Hahahahahaha\u2026!!! \u2014I beat that’s the mad planet from Odilius’ story,\u00bb joked Manuel<\/p>\n\n\n\n

  \u00abWe’ll find whatever it is very soon,\u00bb promised Markus, aloof and solemn, as if he was hunted by the same visions than his character Agir\u00e1 Al Maneft.<\/p>\n\n\n\n

  Seven doorways emerged from the floor of the structure upon which rested the planetoid’s axis; the titles of each story engraved on their lintels:  Start; The Elephants Invasion; The Hunting Visions of Agir\u00e1 Al Maneft; The Last Descendant of Glashadia; The Weird Bones from Antarte; A Brief History of a Galactic Genocide, and Georythm at the Speed of Light.<\/p>\n\n\n\n

  A discussion took place over which doorway choose, hinting at the fact that the election would imply guilt by default. Peter argued in defense of his genre, science fiction, pointing out that it was not just about a fictional sun going mad, but of a future that ended up being its victim. Reason enough to place the origin of the sun in one of the fantasy stories of the anthology. Markus and Manuel retorted that a devouring planet sun was a beloved subject of apocalyptic science fiction, and that if the question was extinction, probable Vicconius’ story was the only one that could plead not guilty.<\/p>\n\n\n\n

  Rodolfo confronted Eddaviel with an obvious fact: was his book cover’s sun that made the mess; that he confused their minds suggesting their imagination fathered the serial killer star; and that, after all, they were caught in the alternative reality of his illustration. And as if it wasn’t enough evidence:<\/p>\n\n\n\n

  \u00abYou jumped first into the portal.\u00bb<\/p>\n\n\n\n

  The Eggosword shined blue; the skull sockets burnt with the plasma of the devil possessed sun; the three waterfalls plunging to the sea from the island, turned into lava. The catastrophe reigning outside the planetoid swept its interior. Dominican Republic was about to join the mass extinction that made the Solar System a long forgotten memory.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

  \u00abCongratulations!\u00bb granted Eddaviel. \u00abNow, let’s end the 3D narration of the abduction of this futures, can I count with you? Don’t forget: I’m a visual narrator. In any case, it’s much more ‘wahoo!’ a solar apocalypse that an invasion of elephants\u2026\u00bb<\/p>\n\n\n\n

  He rose the sword emulating the best pose of He-Man, Conan the Barbarian, or Lion-O from ThunderCats. The planetoid shot itself direct toward the sun\u2026 Then, just when the visual narration was about to have a suicidal ending, the VIRGIN OF ALTAGRACIA appeared and, in the same way she did with the fugitive earth from Georythm at the Speed of Light, she pushed back the planetoid, the sun, and the rest of the illustration’s graphic elements, to their original positions.<\/p>\n\n\n\n

  Eddaviel stared at Odilius in amazement. The latter cleared everything up:<\/p>\n\n\n\n

  \u00abSorry broth, but the last version of our fictions is done by the readers. And there’re a lot of them waiting just now in the National Library, eager to narrate with their own imaginations the cover’s scene, from its past to its future. So, let’s get back that, with the blessing of the VIRGIN, this Paradimensional Paradox will only delay for a couple of minutes the start of the event.\u00bb<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

  And in that way, the publication of the first science fiction and fantasy anthology of Dominican Republic, took place without any more invasion of the fantasy into reality.<\/p>\n\n\n\n

  The rest is a wonderful story. Including the seven published in that emblematic book of the speculative local fiction; including the crazy cover’s adventure that, surely, every freak that have looked at it so far, have imagined an ending less apocalyptic than Eggoviel’s.<\/p>\n\n\n\n

  What best proves it is that the authors are still alive.<\/p>\n\n\n

\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

El\u00a0Sol aument\u00f3 su plasma a nivel\u00a0Hellfire\u00a0666. El primer condenado fue la\u00a0factor\u00eda, esa especie de paja en su ojo. A\u00a0continuaci\u00f3n\u00a0centrifug\u00f3 su apocalipsis <\/p>","protected":false},"author":3,"featured_media":2438,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

Texto: Odilius Vlak \/ Ilustraciones: Eddaviel<\/p>\n\n\n\n

Fen\u00f3meno Paradimensional en Biblioteca Nacional [Santo Domingo, Rep\u00fablica Dominicana: martes 14 de junio\/2016].<\/p>\n\n\n\n

S\u00edntesis del suceso<\/em>: Acceso de locura moment\u00e1nea de la ecuaci\u00f3n E=mc2<\/sup> causado por publicaci\u00f3n de antolog\u00eda de ciencia ficci\u00f3n y fantas\u00eda.<\/p>\n\n\n\n

Resultado<\/em>: Ruptura del ensamblaje entre masa\/energ\u00eda y espacio\/tiempo con fusi\u00f3n malsana entre un aspecto del tiempo lineal [el futuro], y un fragmento de la masa total del universo [el sol: estrella enana amarilla de tipo espectral G2V ubicada en el centro del Sistema Solar].<\/p>\n\n\n\n

He aqu\u00ed los hechos.<\/p>\n\n\n\n

 A punto de iniciar el evento la realidad colaps\u00f3; se atomiz\u00f3 en fragmentos de espacio tiempo que simularon virtualmente la portada del libro que se estaba presentando: \u00abFuturos en el mismo trayecto del sol\u00bb. <\/p>\n\n\n\n

Pero no era un holograma, sino: \u00ab\u00a1Un portal dimensional!\u00bb, exclam\u00f3 Eddaviel, su creador. 

 El Sol aument\u00f3 su plasma a nivel Hellfire 666<\/em>. El primer condenado fue la factor\u00eda, esa especie de paja en su ojo. A continuaci\u00f3n centrifug\u00f3 su apocalipsis incinerando la palabra \u00abFuturos\u00bb del t\u00edtulo. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 \u00ab\u00a1Quiere extinguir nuestro futuro\u2026!\u00bb, dedujo Eddaviel. \u00abVamos, saltemos dentro del portal antes que se cierre.\u00bb<\/p>\n\n\n\n

 Cay\u00f3 justo en la parte superior del planetoide central: la antigua Plaza de la Bandera. Sostenida por el eje que equilibraba ese portento de la tecnolog\u00eda post apocal\u00edptica made in el Caribe<\/em>. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 Su osad\u00eda fue imitada por los siete escritores antologizados; petrificados hasta ese momento por una realidad que superaba todas sus ficciones. <\/p>\n\n\n\n

 Odilius Vlak fue el primero en acatar la orden. Salt\u00f3 justo detr\u00e1s de su c\u00f3mplice en el crimen de imaginar<\/em>, orgulloso de que estaban siendo v\u00edctimas de su propia imaginaci\u00f3n. Le siguieron Morgan Vicconius Zariah, Markus E. Goth, Peter Dom\u00ednguez, Rodolfo B\u00e1ez, Manuel Antonio Gonz\u00e1lez Cabrera y Mois\u00e9s Santana Castro. <\/p>\n\n\n\n

 Isael P\u00e9rez, editor y sumo sacerdote, decidi\u00f3 quedarse en su SANTUARIO para invocar fuerzas c\u00f3smicas aliadas. <\/p>\n\n\n\n

 Ya dentro, los autores vieron desaparecer a trav\u00e9s del domo cristalino, la roca decorada con el \u00faltimo \u00edcono del pasado ciclo humano: la antorcha de la Estatua de la Libertad. Solo el planetoide aislando la isla de Quisqueya resisti\u00f3 la incandescencia exterior. Protegido por los primordiales dioses ta\u00ednos, los orishas africanos y claro: por la cruz cat\u00f3lica.  <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 \u00ab\u00a1Ya lo tengo\u2026! No es un sol dibujado, sino escrito; su imaginaci\u00f3n lo creo, no la m\u00eda.\u00bb<\/p>\n\n\n\n

 Todos se volvieron a Eddaviel. \u00bfO era \u00e9l? Sentado sobre un tronco estaba la versi\u00f3n antropom\u00f3rfica de su logo: Eggoviel. De cabeza achatada, la tinta que defin\u00eda el cabello moldeaba el rostro en una media luna; grandes ojos, sin nariz y un trazo fino como boca; capa de superh\u00e9roe con toque medieval, ropa ce\u00f1ida incluyendo bandas que momificaban sus antebrazos; varios collares cham\u00e1nicos y esa jodida espada con hoja de final fantasy<\/em> y empu\u00f1adura de b\u00e1culo de brujo africano, especialmente por el cr\u00e1neo que lo un\u00eda al metal. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 \u00ab\u00bfUn sol homicida\u2026? \u00a1Jajajajaja\u2026! Apuesto que es el planeta tierra enloquecido de la historia de Odilius\u00bb, chance\u00f3 Manuel.  <\/p>\n\n\n\n

 \u00abEso lo descubriremos pronto\u00bb, asegur\u00f3 Markus, distante y solemne, como si estuviera perturbado por las mismas visiones de su personaje Agir\u00e1 Al Maneft. <\/p>\n\n\n\n

\u00a0Siete puertas emergieron\u00a0del piso circular\u00a0de la estructura sobre la que descansaba el eje\u00a0del planetoide; el t\u00edtulo\u00a0de las historias\u00a0inscrito en cada dintel:\u00a0\u00abInicio\u00bb; \u00abLa invasi\u00f3n de los elefantes\u00bb; \u00abLas perturbadoras visiones del\u00a0Agir\u00e1 Al Maneft\u00bb; \u00abEl \u00faltimo v\u00e1stago de\u00a0Glashadia\u00bb; \u00abLa extra\u00f1a osamenta de\u00a0Antarte\u00bb; \u00abBreve historia de un genocidio intergal\u00e1ctico\u00bb y \u00abGeoritmo\u00a0a la velocidad de la luz\u00bb.<\/p>\n\n\n\n

 Una discusi\u00f3n inici\u00f3 sobre cu\u00e1l puerta elegir, entendi\u00e9ndose que la elecci\u00f3n implicar\u00eda culpabilidad. Peter Dom\u00ednguez argument\u00f3 a favor de su g\u00e9nero, la ciencia ficci\u00f3n, recordando que no se trataba solo de un sol ficticio going mad<\/em>, sino de un futuro que fue su v\u00edctima. Por lo que el sol deber\u00eda pertenecer a una de las dos historias enteramente fant\u00e1sticas de la antolog\u00eda. Markus y Manuel refutaron afirmando que un sol devorador de futuros eran vainas propias de ciencia ficci\u00f3n apocal\u00edptica; que si de extinci\u00f3n se hablaba, quiz\u00e1s la menos sospechosa ser\u00eda la historia de Vicconius. <\/p>\n\n\n\n

 Rodolfo arremeti\u00f3 contra Eggoviel se\u00f1alando lo obvio: fue el sol de su portada que arm\u00f3 el l\u00edo; que \u00e9l los sugestion\u00f3 al implicar que el culpable fue inventado por uno de los escritores; que, al fin y al cabo, era en la realidad alternativa de su ilustraci\u00f3n en la que estaban atrapados. Y adem\u00e1s:<\/p>\n\n\n\n

 \u00abFuiste t\u00fa quien salt\u00f3 primero dentro del portal.\u00bb<\/p>\n\n\n\n

 La eggoespada brill\u00f3 azulada; los ojos del cr\u00e1neo ardieron con el plasma del sol endemoniado. Las tres cascadas que ca\u00edan desde la parte superior de la isla hasta el mar, chorrearon lava. La hecatombe que reinaba en el exterior del planetoide conquist\u00f3 su interior. Rep\u00fablica Dominicana estaba a punto de unirse a la extinci\u00f3n que hab\u00eda hecho del Sistema Solar un recuerdo lejano.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 \u00abExcelente\u00bb, lo felicit\u00f3 Eggoviel. \u00abAhora terminemos de narrar en tres dimensiones el rapto de ese futuro, \u00bfest\u00e1n de acuerdo? Recuerden que soy un narrador visual. En todo caso, es m\u00e1s \u00a1waooooo! un apocalipsis solar que una invasi\u00f3n de elefantes\u2026\u00bb<\/p>\n\n\n\n

 Eggoviel elev\u00f3 su espada al mejor estilo de He-Man, Conan o Lion-O de los ThunderCats. El planetoide se dispar\u00f3 directo al sol\u2026 Pero justo cuando la narraci\u00f3n visual tendr\u00eda su final suicida, la Virgen de la Altagracia se manifest\u00f3 y, lo mismo que hizo con la tierra pr\u00f3fuga en \u00abGeoritmo a la velocidad de la luz\u00bb, empuj\u00f3 al planetoide, al sol y el resto de los elementos de la ilustraci\u00f3n, a sus ubicaciones originales. <\/p>\n\n\n\n

 Eggoviel mir\u00f3 sorprendido a Odilius, quien explic\u00f3:<\/p>\n\n\n\n

 \u00abHermano, la \u00faltima versi\u00f3n de nuestras ficciones la hacen los lectores\u2026 Y hay un mont\u00f3n de ellos esperando en la Biblioteca Nacional; ansiosos de narrar con su propia imaginaci\u00f3n la escena de la portada, su pasado y su futuro. Regresemos, que con la bendici\u00f3n de la virgencita esta paradoja<\/em> <\/em>para<\/em>dimensional<\/em> solo retrasar\u00e1 por unos minutos el incio del evento.\u00bb<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 Y as\u00ed fue que la publicaci\u00f3n de la primera antolog\u00eda de ciencia ficci\u00f3n y fantas\u00eda de Rep\u00fablica Dominicana, se llev\u00f3 a cabo sin m\u00e1s invasiones de lo fant\u00e1stico a la realidad. <\/p>\n\n\n\n

 El resto es historia. Incluyendo las siete que se publicaron en ese libro emblem\u00e1tico de la literatura especulativa dominicana; incluyendo la tremenda historia de la portada que, con seguridad, todo freaky<\/em> que la ha contemplado hasta hoy, alucin\u00f3 un final menos apocal\u00edptico que el de Eggoviel.<\/p>\n\n\n\n

 Al fin y al cabo, los autores a\u00fan viven.<\/p>\n\n\n\n

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